Making progress; quilting feathers

I've finally mastered free-form free-motion quilting feathers. The word "mastered" may be a bit of an exaggeration, but is pretty descriptive of how I feel about it. 

Suffice it to say I accomplished feathers, at least on this block. I didn't think that would ever happen. To experienced quilters, feathers seem so simple. Yet to those of us that haven't been able to master them, they represent a really difficult skill. 

Joyously, I crossed that line yesterday. There is something so wonderful about the moment when a struggle becomes an accomplishment. It is truly an 'aha' moment. Suffice it to say I am exhilarated. 

To me, feathers on a quilt are elegant. They give it a regal feel. A beautiful quilt needs beautiful feathers.

This marks the latest revelation I've had in what has become an ongoing saga of my going-on-two-years-now quilt project, better known as my aqua and yellow quilt...I must come up with a new name for this; I'm tiring of calling it that. 

When I finally began to free-motion quilt the blocks in this sampler, it was a long time coming. I am really going to love it when it is finished, because it has represented such a remarkable journey. I'm so grateful to Leah Day for her incredible inspiration and the can-do attitude she has communicated to me and thousands of other aspiring quilters. I've been immersed in her videos and that of other quilters who have shared their expertise with the rest of us. There are some amazing online resources available to anyone with an interest. 

I finally got the confidence to design the quilting for these quilt-as-you-go blocks, again, giving credit to Leah Day for the amazing filler designs she has devised. This is the third of 18 blocks in this quilt. The other two are below. I think I can see the light at the end of the tunnel for this quilt.

When I looked at the stack of completed blocks, cut to size and awaiting their final action--the quilting--I wasn't sure how to proceed. Since I had taken pictures of each of them, I printed out the first one, as a sketch, rather than as a photograph. Google's Picasa, excellent and free software to manage digital pictures, has the ability to turn any photo into a line drawing. 

Just looking at the block, I saw what I wanted to do. They say, let the quilt talk to you--and it did. This is the rough sketch I came up with.

This is how it turned out. I made only one change, the stippling in the corner. I thought it looked better with the more uniform lines. 

I know my quilting is not perfect. In fact, it is far from that, but I also know that once this quilt is done and it is washed, the effect will be like magic. There is nothing better than a just washed quilt. The area that isn't quilted puffs a little which accentuates the stitches even more. Imperfections simply melt into the background. Oh boy, I can't wait.

Anyone who has followed my journey--and I appreciate your interest-- knows that this quilt began in Jan. 2013 as a BOM (Block of the Month) from the Quiltingboard, a wonderful and active quilting site I belong to. This particular BOM was meant to be somewhat of a challenge. It was and continues to be. 

When all the blocks were completed in December 2013, I decided to place them on-point, on the diagonal rather than the vertical, I had to come up with some filler blocks. I agonized for a time about how to quilt those, since there are six of them that are all the same. So, I started with the printout of the line drawing. This is what I came up with for all of them. It is basically all about hearts with some stippling in the open areas. I wanted to showcase the diagonals, since that forms the secondary pattern in the quilt, so I think this will do the trick.

The following articles in CHMusings relate to this quilt

CH Musings: Ready to quilt

Feb. 11, 2014

My last update on this project was nearly a month ago, my first blog post of the new year. I had just given up on trying to figure out how to complete this quilt top, daunted by mathematics, colors, and patterns, and style. So, I left ...

http://rural01.blogspot.com/

CH Musings: Merrily we quilt along

Jan 25, 2014

Merrily we quilt along. I can't believe this will be my first blog post of the new year. Heck, it doesn't even feel new anymore--it has been so long. In fact, since I was here last, I celebrated my 62nd birthday, gotten through ...

http://rural01.blogspot.com/

CH Musings: My quilting quandry, what to do?

Dec 11, 2013

Rendering Aqua-yellow quilt I really loved how Periwinkle Blue turned out. That is my most recent completed quilt. So I'm leaning toward doing this one the same way--quilt as you go (QAYG) with free-motion quilting each ...

http://rural01.blogspot.com/

CH Musings: Latest quilt pushes my color comfort zone

Sept. 17, 2013

Not only is my quilting obsession satisfied by a project I've been working on since January, which takes me out of my color comfort zone, but my "order thing" is getting a workout too. At the beginning of the year, I laid out some ...

http://rural01.blogspot.com/

New way to mark the quilt

I have never been a fan of marking the quilt. It is the one aspect of quiltmaking that I find often tedious and sometimes frustrating.

I've tried different marking pens, pencils, pounces, chalks, and everything else I can think of. 

I'm always looking for new ways to do this task. So, when I learned of this new technique, marking with Glad Press 'n Seal, I thought I would give it a try.

I apologize for not being able to give credit to whoever came up with this rather ingenious idea. Truth is though, I can't remember where I heard about it. I have been doing a great deal of reading on the Internet about marking a quilt.  

Building Blocks Quilt Along

In doing Leah Day's Building Blocks Quilt Along, one that combines piecing and free-motion quilting techniques, block by block, I decided this was a perfect time to try marking the quilting pattern using Glad Press'n Seal.

In the first photo, at left, I placed a piece of the Glad Press'n Seal onto a pre-printed pattern provided in Leah Day's Building Blocks Quilting Project. The paper has a sticky side that adheres perfectly to the pattern. Once smoothed out across the paper, it was easy to trace the lines of the quilting design onto the Glad wrap with a ball point pen.

The pattern requires stitching in the ditch and around the block. I decided to do that first, since although the Glad paper is transparent, stitching in the ditch is hard enough without any obscurity. Besides, I tried it and the lines were awful so I picked out the stitches, ripped off the paper and started again. I put pins into the paper, which probably wasn't necessary, but after lining it up perfectly with the seams, I didn't want it to shift at all.

It was pretty easy to sew through the paper, although I admit it did feel like I was sewing a disposable baby diaper.

The third picture shows the entire block completely quilted. It was easy to follow the lines, or at least as easy as following the lines without the paper would be. That is never an easy task. Truthfully, I much prefer free-motion quilting freehand. I need practice at this however, because I know that isn't always possible.

Removal of the paper was fairly easy, as shown in the fourth photo. It was just a matter of scratching the paper with a sturdy fingernail or the trusty seam ripper, and then ripping it off.

The only problem here was that with this pattern, there are lots of tiny quilted areas, so it was a little more tedious than it otherwise might be. Also, the paper remained sticky. It was easily tearable though and it appears that every bit of it was removed.

The fifth and final picture shows the completed block. There appears to be no remnants of paper left, and the stitches were not harmed in any way by pulling on the paper.

Even though I can't see any remnants of the paper, I will not press this block on its right side. I will press it from the back just to be sure. I've seen what plastic products do to an iron. It isn't pretty; doesn't smell very well either.

I just might use this technique again, although I am not sure it will be my only marking technique. It is nice to have options. Certain things will work better than others depending on the circumstances.

I am just glad I found a way to try something new.

Ready to quilt

My last update on this project was nearly a month ago, my first blog post of the new year. I had just given up on trying to figure out how to complete this quilt top, daunted by mathematics, colors, and patterns, and style. So, I left it alone for a while. I started working on another project altogether--a new quilt project Leah Day's Free-Motion Quilting Building Blocks Quilt Along. This one will be black and white and pink all over--more on that another time.

It is about time for an update on my complex quilting journey to complete one particular project. I couldn't be more excited. This soap-opera will one day reveal a completed yellow and aqua quilt.


Once I finally quilt obsessing over just how to construct the finishing triangles needed for this on-point quilt, I figured out how to make them. It was so easy. I gave in to the computer software as my friend Jane had suggested. At the time, I had thought of all kinds of reasons why that wouldn't work, but, I was completely over-thinking the problem. Once I realized that, I printed out the templates, added the seam allowance of 1/4-inch and cut out the pieces. I sewed them together, and voila, the perfect setting triangles, as seen below.

There was no figuring. I didn't even need to wrack my brain with some obscure mathematical formula. I made 10 of them along with four smaller triangles for the corners.

I am now ready to come up with a final layout of my squares. I just love the addition of the chain blocks, also Jane's idea, which adds the secondary pattern. I'm thrilled that the triangles continue that pattern to the edges of the quilt. That was what I wanted all along.

Next, I will cut out the backing fabric and squares of batting. I will then begin free-motion quilting the individual squares. The designs for each squares are something I haven't planned for. This will be my final design choice and final challenge with this quilt. I have never been very good at picking quilting designs, but I am in no hurry. I want to examine each block until just the right design comes to me.

I will use yellow and white gingham with alternating white squares for the backing. I already have the batting. While the quilt is large enough to cover the bed, I may just add a couple of borders to finish it off. I can't wait to post a picture of the completed quilt. So, stay tuned!

Quilting is a process

"Periwinkle Blue," named for a song by Doris Day and my favorite crayon color, is finally done; well almost. It still needs the final binding on the edges. Then I will be able to throw it into the washer and dryer and see if it comes out looking like a quilt, all scrunchy, warm, and inviting, with its stitches still intact.

What a joy it has been to make this quilt.

I will never tire of the process of turning a pile fabric into a completed quilt. This was more than a year in the making, and I loved every minute of it.

Not only has this been enjoyable, but I learned so much. 

I started making quilts about 15 years ago, on a whim. I have been on a steep learning curve ever since. From those early days of writing about quilt shows for the local newspaper, to watching Alex Anderson on 'Simply Quilts' every day, to the present, I have been somewhat surprised at how much there is to learn about this art form. 

To me, making a quilt is so much more than simply creating a cover for the bed. In actuality, the utilitarian aspect of a quilt is far less important to me than the process of actually creating it. That doesn't mean I don't like to snuggle up with it once it is done. I treasure that part. But even more so, I am drawn to the creative process. Each of the now nine quilts I have made has been a learning experience.

For me, quilting is also a therapeutic activity. It is that quiet time that we all cherish. Admittedly, I have no problem leaving dirty dishes in the sink if I feel like quilting. 

Making Periwinkle Blue

This quilt started out as a block of the month project through a free on-line class on Craftsy, taught by Amy Gibson, in January 2012. A new block, actually two, were chosen by Amy for each month, unbeknown to class participants. 

I cannot express how much fun I had doing this class. I looked forward to the first of the month every single month, always anxious to see what the next blocks would look like. Amy Gibson is a sweet, gentle woman who reminds me of a kindergarten teacher--my kindergarten teacher. Taking her class conjured up memories of Miss Carr, back about 55 years ago. I don't remember what Miss Carr looked like, but now, in my mind she looks like Amy. Amy is also an accomplished and prolific quilter.

Early on I decided this quilt would be in shades of purple, what has long been a real favorite of mine. I am really fond of monochromatic quilts. That is my comfort zone. While creating the blocks, exactly as directed, I started thinking about different ways they could be changed, altered, or what they might look like with an entire quilt made from them. I do have some favorites as well as some I wasn't crazy about. I didn't let my taste dictate anything. I just went with it. 

When this project was completed, I had stacks of blocks that I wasn't really sure what to do with until I heard about another Craftsy class, taught by Leah Day--Free motion quilting a sampler. I debated about paying for this class. Money is really too tight for such things. When it was offered at a special discounted price, I signed up. I'm so glad I did. Leah's class was specifically related to showing how to free-motion quilt the sampler quilt I had just completed. My question of just what I wanted to do with all these purple blocks was answered.

I was already familiar with Leah's work, which is the most exquisite I've ever seen. In my view, watching her was almost akin to Michelangelo taking his brush to the ceiling of the Sistine Chapel. This woman is an amazing artist. She makes it look so effortless. I assure you--it is not! But, it was fun! I made my little ole sewing machine do things I never even knew it could. 

The thing about quilting is, I love every part of the process. And there are so many parts. Each one requires some skill. From the fabric choices to the precision cutting, exact 1/4" seams, to the assembling, to the actual quilting, this is a fun and worthwhile activity, every step of the way. I never knew piecing a quilt top was so involved. I never knew that quilting was so involved either. I will always love hand quilting, but I admit really being intrigued by free-motion quilting. I will do it again, particularly on small projects. I can also see projects with a combination of both hand and machine quilting in the future.

It was very easy to maneuver the quilt block in the sewing machine. There is a lot of twisting and turning with free-motion quilting. I'm not certain if I am ready or even able to tackle quilting an entire quilt in that little tiny space of my machine. Just maneuvering the quilt to add the binding strips was a chore. I can only imagine what trying to maneuver a whole quilt would be like. 

This particular project was also new to me, in that it was done as a 'quilt-as-you-go' project. That method requires that all the blocks are quilted first and then assembled by sewing together with binding strips. Traditional quilts are constructed just the opposite--with the quilt top layered with batting and backing fabric and then quilted.

I almost forgot--the very best part is the result after the quilt is washed and dried. I just did this and could barely believe my eyes. I was worried about the imperfections in my sewing. It doesn't matter, because the texture created by the stitches is extraordinary. I absolutely love how this quilt turned out.

I highly recommend quilting as a pleasant and useful activity. Whether you are like me and love the process, it is so rewarding to finish a quilt.

Periwinkle blue; a quilt in the making

Believe it or not, this is an entire quilt. I will call it Periwinkle blue after my favorite crayon color and song by Doris Day on an album my father used to enjoy.

I started this project a year ago and thanks to two Craftsy classes, I'm hoping it turns into more than just a pile of purple.

The first, a block-of-the-month class was taught by Amy Gibson. The quilting will all be done on my little inexpensive Jenome sewing machine, using a skill I haven't yet perfected. I have high hopes however, due to the Craftsy Class on free motion quilting  exquisitely taught, by Leah Day. I just completed it.

I know I've said it before, but it bears repeating that Leah Day is an amazing quilter. She is to machine quilting what Jinny Beyer or Alex Anderson are to hand quilting. All three are absolute heroines as far as I'm concerned. While I'm name-dropping, I cannot say enough about Amy Gibson either. She has to be the sweetest human being on the planet, and she quilts. Beautiful quilting is only one of her many attributes.

This project will be my very first use of the 'quilt as you go' technique, whereby the blocks will each be quilted individually before being sewn together rather than the traditional method of stitching the blocks together  and then quilting the entire piece. This quilt will be a reversible, purple quilt, which I'm planning to fall in love with. Purple with all its values and shades was my favorite color, even before pink.

This above stack contains 20 squares of batting, (the bottom white layer), 20 different background squares, which are all different values and patterns of purple, followed by lavender border strips, which I will sew onto the original blocks. Finally, there are 20 different sampler blocks representing a year in the making. The purple fabric will be the binding, though I haven't cut it yet. That's it! I'm anxious to get started. I plan to practice the pattern for each block before I begin. I haven't decided yet if I am going to buy a shade of purple thread or use the silver/white thread I already have. I am leaning toward the latter. Wish me luck!

This year will be filled with quilting projects

It is only a few weeks into the new year and I already have an abundance of quilting projects in mind:

• As previously posted, I am really looking forward to following Leah Day's instruction to free-motion quilting last year's block of the month (BOM) sampler quilt. I am still in the decision-making phase of this project, but am anxious to get started on it.

• I have a hand-quilting project to work on--a small BOM calender quilt--where each of the 12 blocks in it represents a different month of the year. This was a project through the Quilting Board. I have been enjoying interacting with other quilters there and have met lots of new people. Every day I go to the board to read other quilters' questions as well as to enjoy pictures of projects these talented men and women have created. 

I am already making some progress on this quilt. I recently sewed the calendar blocks together with black sashing to make a completed quilt top. I think I'd like to add another border or two though, just to increase the finishing size of the quilt. That decision is yet to be made though, not to mention deciding on the backing fabric. The border question isn't as easy as it sounds, because all of the blocks are different colors. The blocks are pretty busy too, so I'm completely torn about what color the borders should be.

• Speaking of decisions, I have decided to take on two more BOMs. One is this year's quilting board BOM. I so enjoyed the last one that I wanted to do another. I believe the theme is something like Oh yes you can. Who can resist such a positive-sounding project? 

• I've also signed up for the Skill Builder BOM at Pile O'Fabric with Alyssa Lichner. This project was billed as inspired by Leah Day's FMQ and using her quilt-as-you-go technique, so it had my attention early on. It will begin in a few days--with the lesson beginning on the third Thursday of the month.
  

The first challenge here was to pick out the fabric for both the quilt front and the quilt back, since they will be done at the same time. Alyssa talks greatly about color choices. That intrigued me because my favorite quilts have been monochromatic using the same color family with different values and patterns. I admire other people's quilts that are more colorful, but I have never gone there myself. So, with this project, I am jumping out of my comfort zone right into the color wheel. I have chosen some fabrics from my stash that should suffice. They are basically the colors from a floral fabric that I like. They are pinks and blues, greens, and yellows. I sure hope this works!

Speaking of color, I am enjoying the Special Effects with Color series with Christine Barnes on The Quilt Show. I've also started another free Craftsy BOM. That is a class by Laura Nownes and results in a non-traditional quilt made of irregular sized and shaped blocks. It looks like lots of fun.

• Last but not least, last year I began working on a lavender Dresden Plate quilt. I love doing the hand work, sewing all those plates onto the background fabric. The 12" blocks are an alternating cream with pure white paisley. The purple dresdens are scrappy. It will be a fun quilt to work on, but there is certainly no rush to finish it. I suspect it will take a back seat to some of these other projects, but that's OK. It will be nice to always have a fall-back project, in case I ever get bored.  

Determined to learn free motion quilting

A few months ago, I set out to learn free motion quilting. I am making some headway, thanks to the excellent advice and technique taught by Leah Day, who is probably the best machine quilter I've ever seen.

Her work looks like something done on a long arm quilting machine, but it isn't; it is done on her domestic sewing machine. She really puts her machine through its paces. She claims anyone else can do it too.

I started reading Leah's blog the Free Motion Quilting Project. What Leah has done is truly amazing. Not only is she an accomplished artist, but she is young, pretty, sweet, patient, and a natural teacher who is willing to share her expertise with anyone who is interested. Above all, she is an inspiration.

I took her up on one of her quilt along projects, just to see if it was possible for me to even learn FMQing. The project was a small, whole cloth quilt. She provided the design.

I had only dabbled in FMQing a tiny bit, as seen in a previous blog post Trying new quilting challenges. I was intrigued enough that my insatiable appetite for learning kicked in. I knew I wanted to know more and practice more of the skills that until recently I didn't even know existed. Here is the result:

While there are tons of mistakes and a few total screw-ups, the overall result wasn't half-bad. In fact, I rather like how this piece turned out. It was certainly good enough to make me want to get better. I could see how practice would improve the look and feel of my work.

When I saw that Leah was teaching a class at Craftsy, I was interested. As much as I wanted to take this class, I couldn't afford it. Times are tough and I have been cutting back even on my beloved quilting magazine subscriptions. But when the class went on sale, I signed up.

The class, called Free Motion Quilting a Sampler, is to quilt the Craftsy Block of the Month, which was taught by another of my favorite quilters--Amy Gibson. Amy's class was free. It offered some new piecing techniques that provided a new modern take on traditional blocks. Some of the techniques were not yet in my limited quilting repertoire. I really enjoyed the BOM, looking forward to the first of the month every month for a year.

Leah's class, used that BOM quilt to teach FMQ designs, like a follow along project.

I finished watching the last lesson yesterday. I didn't quilt along, at least not yet. I will watch the lessons again when I'm ready to dive in. I wanted to take the entire class before making any decisions on how to quilt these blocks. After all, the 20 blocks that will make up this quilt span an entire year of work. I had already decided to FMQ this quilt rather than to hand quilt it. I love hand-quilting, but I already know how to do that. I need to know how to quilt on my machine, so that decision was an easy one. Besides, I have other projects that can accompany my mindless television watching at night.

The biggest decision was whether to quilt the entire quilt or to use the quilt-as-you-go technique. I chose the latter, simply because I really am limited by space, as described in a previous post, Happy New Year Happy Quilting. Besides, I had no idea how to quilt the blocks and then put them together to make a finished quilt. I have wanted to learn that technique for some time. Now is as good a time as any. I was initially concerned that this would require wasting fabric, but I now know there is no such thing. Even the tiniest pieces can be reused in another way. For one thing applique projects are great for this.

I am not sure when I will actually put one of my blocks beneath the needle, but I have been doing a little practicing. I had some old flower sack dish towels that had seen better days. In fact I just replaced them with new ones, so I sewed some batting in-between two of them and have been doing a little practicing.

Leah taught many different designs in her class. Some are easier than others. I won't be happy until I can make pretty free-hand feathers. While I'm still in the process of making the decision about which fabrics to use for sashing and backing, since the quilt will be reversible, I know it won't be long now. I have already purchased the batting, which simply needs to be cut into squares. I'm pretty anxious to get started, and will post my progress.